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WELCOME to pleaseadjustyourset.com, a web site launched as part of a women in film and television advocacy campaign designed by the BC Institute of Film Professionals Women’s Initiative.

 

This web site offers individuals in the film and television industry as well as professional organizations, associations and agencies a central place to find research data, share information, strategies, successes and challenges that impact women in this industry.

Last UpDated: 03/30/2009

 What can You Do to Help?
 Get Informed – review the information on this website
 Get Involved – work with the BCIFP to collect information on women’s participation
  in your sector
 Get Active – become an advocate in your professional union or organization
 Get into It – take positive steps to hire and fund more women
                                                                                                                 
 
 
 
 

May 15th, 2008

 

New Center for the Study of Women in Television and Film Created! 

The School of Theatre, Television, and Film at San Diego State University is creating a major new Center for the Study of Women in Television and Film to be headed by Dr. Martha Lauzen, a member of AWFJ’s Board of Advisors. 

The Center’s activities focus on the employment of women working as directors, writers, producers, cinematographers, and editors in television and film 

Dr. Lauzen has conducted annual studies of women’s representation in these important storytelling roles for over a decade. Her ground-breaking studies, “The Celluloid Ceiling” and “Boxed In” document women’s behind-the-scenes employment in film (15% in 2007) and prime-time television (26% in the 2006-07 season). These studies serve as the cornerstones for an expanded agenda of original research examining the status of behind-the-scenes women, the impact of women storytellers on television and film content, and the key challenges for women working in these industries. 

The new Center’s Advisory Board includes Mara Brock Akil (creator, writer, and producer of the CW series “Girlfriends”), Madelyn Hammond (Chief Marketing Officer of Variety Entertainment Group), Kathy Najimy (film and television actress), Robin Swicord (director of “The Jane Austen Book Club,” and writer of “Memoirs of a Geisha” and “Practical Magic”), and Nia Vardalos (actress and writer of “My Big Fat Greek Wedding” and the upcoming “A Wilderness of Monkeys”). 

Link: http://awfj.org/

http://awfj.org/2008/04/02/creation-of-center-for-the-study-of-women-in-television-and-film/

A new study has just come out of Quebec on the status of  women   directors in that province.  For the highlights, statistics and summary please click on the link below.

March 5, 2008   

MONTREAL - The group Réalisatrices Équitables* released today the results of a study entitled La Place des réalisatrices dans le financement public du cinéma et de la télévision au Québec (2002-2007) [The Status of women directors with respect to public funding for film and television in Quebec (2002-2007), which was produced with the support of L’Association des réalisateurs et réalisatrices du Québec (ARRQ) and in collaboration with UQAM’s Institut de recherches et d’études féministes.  

One would have thought that since the women’s liberation movement and the implementation of equality legislation, women had long ago conquered every frontier, however, as filmmaker and president of Réalisatrices Équitables, Marquise Lepage, states, ”I belonged to that group of happy, naïve optimists… When I learned of the realities faced by the majority of this country’s women filmmakers, I fell from my small cloud.” 

Réalisatrices Équitables was amazed to discover that although women account for 50.5% of the population and 43-45% of the students in film and video programmes, women filmmakers receive only 10%, 11% and 14% of the production budgets given out by the Canadian Television Fund, Telefilm Canada and SODEC respectively! 

Sophie Bissonnette summarized the study’s highlights: ”There are definite obstacles hindering women filmmakers’ full participation; one can clearly speak of systemic discrimination.  If the fact that there are a large number of women studying film and television clearly indicates their substantive interest in these medias, what then are the barriers in the workplace that keep women directors from obtaining their fair share of public funding and that, equally, deprive audiences of women’s worldviews?  

How does a society move from a formal to a substantive equality? Réalisatrices Équitables is asking government decision-makers to confirm their commitment to gender equity by fast-tracking crucial action measures. Its spokeswomen are hoping to meet with Ministers Josée Verner (Canadian Heritage) and Christine St-Pierre, (Culture, Communications et Condition féminine), and with leaders of the major Quebec and Canadian audiovisual institutions in order to extend their offer of collaboration in the hopes of working towards reaching this goal.

STATUS of WOMEN DIRECTORS

 

 
 
“Never doubt that a small group of thoughtful committed people can change the world. Indeed it is the only thing that ever has.” – Margaret Mead
 
 
   

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